Saturday, April 29, 2017

FIRST IMPRESSIONS OF ADULTHOOD

MGMT’S Time to Pretend has never made me this emotional, 10 years after its release. The first time I heard it I was a delusional 10-year-old writing stupid notes behind my school notebook, collecting J-14 and Tiger Beat magazines that had Fall Out Boy and the cast of Zooey 101 in it. The year was 2007 and I imagined myself working for Ocean Park as a dolphin trainer, but I came to realize that aquariums practically enslave sea creatures, so scratch that. I then wanted to be an astronaut but I learned that you have to be good at math and the sciences. I loved science; I was a science fiend. But I sucked at it, so scratch it again. Then I wanted to be a pilot. To simply put, everything is ironically against my interests and abilities, so I scratched that one, too. 

Weirdly, it struck me dead while I was jogging last night, my Spotify playlist on shuffle. Fate brought me to this realization, I thought. I was just thinking about how dreadful my future would be when the song came and woke me up. Are we really fated to pretend and be dead inside? The first person I thought of was my dad, who’s itching to retire from his job and stay at home instead. I can see that he’s tired (exhausted, even) of his everyday life: travelling almost 2 hours to his office, facing a laptop for more than 10 hours, roaming the office for some papers—the typical office job. And I kept thinking if he had the same thought I had last night, about pretending that life is okay as long as you’re earning enough to buy the needs and wants. 

I know that he loves his job, what he’s doing. But does it fall on the same wavelength of who he really is and what he really wanted, as a teenager? Or I’m just too much of a coward to take what’s on the table, that’s why I can’t bear to stop myself from thinking about all this? Everything and nothing is predictable, at the same time. You take this, then it will be two things for you: you’re good to go or you just made the worst decision of your life. Don’t take this and it’s the same thing. 
And Real World they’re talking about. I think part of this sudden, unconscious rambling is because I’m turning 20 in a month and a few days, officially loosing the "-teen" in my age. Whatever, I’ll always be a 19-year-old-PLUS, fumbling through…life, or whatever you call this. 

I’ve been thinking about the future since January (a.k.a. the month I started counting down the days until I turn 20). I don’t know how many times I cried about how I feel so empty about the future but I’m still holding up, but almost unbearably.

Yeah, it’s overwhelming, but what else can we do? 
Get jobs at offices and wake up for the morning commute?

I promised myself that my life wouldn’t look like those corporate slaves’. I had to be rich enough to buy my dad a watch on a whim, without working for a corporation, or an office. I remember stumbling upon this journal entry, and I'm not very sure if wrote it earlier this year or last year; I had this feeling January last year, and I still brought it with me now, in 2017. Everything is blurred. Anyway, I wrote down, "Money is god and I hate it," and that sentence is just too heavy for me to look at. It's so real and unforgiving it gives me this bitter aftertaste in my mouth every time I say those words in my head.

Basically, the start of the year always mean something monumental for me: it’s either I’m scared of the future OR money. 
Strings of thought about the future are mixed up and I’m not really sure anymore of what think of it and how to make of it.
At 13, I made the decision of going to art school. Six years later and I’m nowhere near.

“Well, writing is a branch of art,” some relatives would assure me. “You should go to law school,” they said, and that’s it, make it stop. I would nod to shoo their opinions away. Preferably inside their system, keep their thoughts to themselves.
I don’t want to go to law school.

So I resorted to dreaming of going to UP Film Institute after graduating in UST. But there would always be something in my head that would hold me back—the I Don’t Know, I’m Not Sure voice. So I guess I’ll live in uncertainty; eventually I’ll stop crying at night. 

I want my life to be full of unpredictable shit, Frances Ha level, sans the desperate search for a place to live. I’ve been comfortable with the idea of living within the confines of my parents’ home (with my cute brother, whom I’m very fond of playing with) but living alone could so much for me, too. I’d have time and space to creatively grow into the person I want to be. 

Navigating my way to adulthood is not an easy feat; I think about how the future would look like for me. Would it be cinematic? Would it look like one of those coming-of-age films where the main character looks over the vast expanse of buildings and just letting everything be? Where would I end up? 

I’m sweating and scared of the future and tired of pretending that I got it, I understand, I got it all figured out, where’s my office. But I guess some things are Just Like That. The song is just a prelude to where we are headed. It’s not gonna kill us (maybe). It would be bearable on some days and just pure, scathing hell on most days. And I’d like to think that those (scant) number of bearable days can be the reason why we put up with large numbers of shit that happen to and for us. 
I don’t know where I’m going with this. I just don’t want my life to turn out into something I’d  be ashamed of in the long run: boring, dense and empty with white walls. But I guess sometimes you don’t have to pretend that you’re okay. Sometimes it’s simply just you, over there, just being. As long as you’re sustaining yourself (myself), then everything will be averagely fine, if not totally okay and perfect. 

That’s why I made a playlist that calls for help and assurance and validation. Can be terated as a cathartic cry from all the pressure I’m feeling as an almost-adult.




Everything must run its course. 

Friday, November 11, 2016

i'm so dumb, honestly

this night has been very tough on me. i cried and cried and cried about my mom and i am not okay. i will soon act as witness for a trial for my parents' annulment and i don't think i am ready. i just want this to be over soon.

it's so hard to keep up lately.

Monday, May 23, 2016

NEW RHYTHM

I used to get sad whenever I listen to the songs that remind me of my idiocy over love and you (and you). But now I'm just sad for myself. And I think that's better. A way of telling yourself that you are your own person, not the people you love(d) and pour(ed) your heart into.

Friday, April 22, 2016

On Paper

I don't know how many times I've crossed paths with graphic novels and illustrations, either on the internet or in local bookstores (Fully Booked and Booksale). They're all so pleasing to the eyes, with the right colors on the right places and just the right amount of humor and sadness in the stories that come with them. Some are calmly shaded but is portrayed by a violent story, and vice-versa. I don't know when my penchant for graphic novels and comics actually started, but I'm pretty sure Winx Club and Archie cradled my initiation as an avid follower. I don't know why I ever stopped reading them, when I used to have so many issues. Eleven years after, I could no longer find them, not even in the deepest trenches of my grandfather's house. 

Now, like an emergency call from the past, I've once again immersed myself deep in the throes of the internet to find these gems.

1. Adrian Tomine
I first saw Adrian Tomine's art a year ago, when I was randomly scanning through Fully Booked's art section. His New York Postcards caught my eye with its seemingly bubblegum-esque mood. It features a girl sitting on train, looking over the window while holding her book across her face. He has also collaborated with The New Yorker, showcasing fifteen of his illustrations. 

Hi ongoing comic series, Optic Nerve, has been on my wishlist for so long now, alongside Killing and Dying. 

Published by Drawn and Quarterly in 1995, the Optic Nerve series has come a long way over the years, featuring different stories of people. Romantic, identity, and even familial crises are present in these mini stories, and it's pretty neat. 

His most recent work, Killing and Dying, which deals with heartache and the unabashed exploration of loss, was critically acclaimed last year. Its ambitiously creative plot instantly pulls that tiny string that somehow brings me back to the Dark Times I used to (desperately) crawl through just to get to the other side. Drama aside, it's exponentially great to think that I have this in my possession.


      


What really is amazing about his work is his explicit description of fixation in his illustrations. These portraits of girls fixated over their points of preference is somehow parallel to how I move around foreign environments, or even in my room.They remind me so much of those train rides I would take; I would stare out the window and I imagine someone doing a sketch of my figure. (I know I'm not the only one who does this.) I love how these portraits directly imply how Tomine pays close attention to his surroundings. 


2. Nick Drnaso

I found this from Drawn and Quarterly, which features mostly teenagers from a local suburb. It's a satirical take on lost souls, with the bleak representation of being an outcast in your own town. another artist who's not a big fan of violent reds and blues, Nick Drnaso especially caught my taste. Beverly's cover itself is speaking so much about what it tells you, and I can't help but feel that this is a slightly comical version of the Coen brothers' film, Fargo. 

There are some elements of quiet violence within each panel, and you might just agree with me; the adolescents in this feature are normally just repressed bodies of brutality.




The barren look of the setting, funny how it is, perfectly represents how I feel about my life as a college student, and how dry I've been feeling lately. Drnaso completely impressed me with his shrewd language that resembles a David Lynch film. His art itself, without any dialogue, sends you to an almost extreme preciseness, without ever being ambiguous. I mean, that's how everyone should be like, right? Sugarcoating is not his forte, and I've never read such atrocious and relentless honesty. I would absolutely die to have this.

3. Craig Thompson

I remember loosing my shit when I first saw this at Fully Booked, almost two years ago. as per usual, I did not have enough money to get it, and promised myself I would come back for it the next week. I came back and and it was nowhere to be found. It was sold out, obviously. After that, I never saw it again. So it's kind of an impossible hunt for me, close two years and I still don't have it. It's shameful, really, because it has such a rich story about Craig, a young man, in the search for his true self, while simultaneously falling in love with a girl named Raina.

                  
The usual revealing-oneself-to-the-other, it still screams unconventionality, with its imaginative visualization through Thompson's wild brushstrokes. I'm still longing to see how the characters' inner demons resurfaced through the gentle-to-turbulent transition of the doodles that surrounded them. Familiarity to heartbreak was never this graphic, as D&Q would like to put it. 

I'm not always a big fan of love stories on comics or graphic novels, but when I am, I make sure that it's this compelling, even though I haven't read it yet. It's also VERY nice to know that the writer wrote the novel as away of coming out to his parents, and no longer being a Christian. Imagine how gratifying it is to read something about redemption--which I need(!!!).

4. Shigeru Mizuki


Japanese history was never this exciting for me, and as an ardent believer in the power of history and its study (Ma'am De Castro taught me well), I find this absolutely, tremendously, appealing both to the eyes and the mind. I've been following documentaries on National Geographic (thanks to my dad) and accidentally finding these is such a great feeling!!! 

I don't like Hitler at all, and I don't support any of the things he's done, and to read this would categorically help me fuel my hate more. Especially now that we, in the Philippines, have a potential Trump and/or Hitler as presidential candidate. 


This book centers on the life of Hitler as a starving art student in Austria, to building Germany only to leave it in ruins. With cartoony characters circling around the enigma that is Adolf, everything seems so entertaining, when it's really a despairing tale. Which is rad, because 1) it's from a Japanese writer; and 2) Japanese writers are the best in juxtaposing stories through their art!!!

This other novel by the same author, Mizuki, on the other hand, serves as a semi-autobiography. As a Japanese army veteran, he tells the story of what was then a militant Japan and United States.

I saw some previews, and it somehow resembles the air that surrounded Hitler. Tense yet full of life because of the funny-looking characters on scenes that depict everyday humor. As an historical account of Japan during the Showa period, it sends the reader some kind of motivation to learn more about Japan. (Because Asian studies are, for me, the best. Sonorous, violent, and very cultural.)

Economy and trade were also tackled, with friendly illustrations that won't confuse the readers. It's such a joy to read an account of what used to be a bulwark of communism.

Definitely a must HAVE.




5. Jillian Tamaki


First started as a webcomic, SuperMutant Magic Academy recites the antics and adventures of lizard-headed Trixie with her fellow mutant classmates.

Brilliantly told through the eyes of a writer whose affinity for young adult stories never seems to go away, it gently reminds us of the woes we used to have as small children, or even as pre-adolescents. Life in the Academy could sometimes be so dull, and it naturally feels like death. As a girl whose middle school life verges from Unbearable to Actual Death, I find this very interesting. It's supplemental to go back and reminisce for one to actually grow up.

Filled with the usual angst everyone used to feel back then, it's a miraculous work from Tamaki. She just saved us all and we don't even know it yet.

I just wish I had enough credit on my card...